AISubs v3.7
Once you do it, it's like writing it down with a pencil and then doing it again and again, isn't it?
That's right.
I'm using a pen and paper for copywriting, but I use a pencil for copywriting, so I can write it in quite fine detail.
I see.
Oh, you mean in detail.
I think many writers write it a little more roughly, but I write it up to the point where I can trace it.
That's right. When I first saw it, I thought it was done so far.
When I write, when I mail it, I want to focus only on the condition of the pen line or the strength and weakness of the pen line, so I try to make it as free as possible.
And I write it twice or three times until it's finished, so it's like writing it through it.
Oh, I see. There were people who did the same cut twice or three times, weren't there?
I see.
Is it necessary to do it twice or three times? I don't think there are many people who do it that much.
In my case, it is necessary.
People who are good at painting don't do that.
No, no.
It doesn't become what you want it to be.
Do you pay attention to your eyes?
Your impression changes a lot.
Yes, I do.
But I don't use it as much as other painters.
Some people work hard with their eyes.
Yes, I often hear that.
I don't do that.
I see.
I don't know why.
When I first started drawing manga,
there were many people who were particular about their eyes and didn't care about anything else.
I see.
I don't like it and it may have become what it is now.
I do my best to draw, but I don't care about my eyes only.
You don't care about your eyes only.
You care about everything else, too.
You told me to care about my ears.
To be precise, people who care about their ears can't die.
People who are good at painting care about their ears.
I've heard of it, and my mother painted it, too.
I see.
People tend to paint their ears lightly and easily.
That's right.
It's probably not fun to paint your ears.
But it's more fun to paint your eyes, isn't it?
That's right.
Even if it's not fun, you can say, "I'm painting it precisely."
You can feel the heat of the whole screen.
This is my favorite part about matte painting.
I know you like matte painting.
For us who can't paint, we don't know where we can paint white.
If you paint it matte, it might pop out of nowhere.
Continuing on, I really like this line here.
What do you call it? The line of movement?
Yes.
I feel like it has to be consistent with the movement of the body to make it look cool.
It rotates sideways, so I hope you can feel it when you turn it.
I see.
The bulging cheeks, too.
Some people sigh when they paint.
Yes.
Uchiro has bulging cheeks, too.
I see.
I'm thinking of a way of looking at it and observing it.
I think Otani was a bulging type, too.
I see.
What about the band?
Is the band a bulging type?
That's right.
This picture is cool.
That's right.
When I first serialized in Weekly Shounen Magazine,
I wrote about 120 pages of the final chapter,
and about 80 pages of the other pages.
I thought it was very rude and embarrassing,
but Joy Morikawa saw it and said,
Can't you write 100 pages of the other 80 pages?
I said, "No, you can't."
No matter how small a chapter it is, you have to be able to write 100 pages of it.
Then, after you finish writing it, you may have grown up a little.
"You can do it all with 100 pages," he said, and I engraved it in my heart.
I'm doing my best to go all 100%.
It's not about being good or bad, it's about being able to do it.
I think I have to do it, so I'm doing it.
That's amazing.
I think it fits the heat of the characters.
I hope we can connect.
It's possible.
That's a great story.
That's right. I heard a great story from Joy Morikawa.
Joy always says that.
It's embarrassing when it's revealed.
What I said.
I'll say it.
That's right.
That's a great story.
That's how it went.
Thank you for sharing it with us.